A freestanding sculpture which relies on the support of those propping it up it to remain upright. Automatically (upon entering the exhibition space), one is implicit in the work’s existence, otherwise it will all end in collapse. The work is therefore reliant on (as is the preview itself) the event attendees.
Part of a 2-person show with Adam Renshaw (AKA Monty) curated by Richard Shields at Islington Mill
wood, fabric, plastic bowl, chair leg, wheel
2013